How 3D is spoiling 2D

This weekend I saw the last Harry Potter twice: first in 2D and the next day in 3D. I am a fan but not that big of a fan but it was just a accident of circumstance that led me to see it twice in quick succession but it did allow me to compare the 3D and 2D prints while each was still fresh in my mind.

Quite a few critics are citing HP as an example of 3D done right. I'm not so sure. I know you're rolling your eyes and dismissing me as yet another 3D hater but hear me out as I think I've finally put my finger on what it is about the current 3D movies that doesn't work for me.

Harry Potter demonstrates the problems that still remain in state of the art 3D technology. I am not an expert in this technology so I can only report what I perceived through my own eyes. As I understand it, there are two ways of making a 3D movie: during production (with 3D cameras) or in post (on 2D source material). HP is the latter (except for one scene). Converting 2D source material to 3D is a big, labor-intensive industry. Artists go through by hand rotoscoping the elements in the frame which can then be set on different 3D planes. So, if you have a character in the foreground, another in the mid-distance and then the setting as the background you would separate the three elements so you can put one in front of the other, in front of the other. It does give an illusion of depth but, as far as I can see, it doesn't convey the subtitles of real world 3D.

In the real world there aren't just three 3D planes in the scene described above. The character in the foreground is 3D in his own right - his nose is closer to than his ear and the perspective between the two points is gradual. As a child did you ever make a 3D diorama peep box, or shadow box, or cardboard puppet theater? It seems to be the same principle. One thing is in front of another giving the illusion of 3D but each of those things is flat which ruins the illusion in a paper model and a multi-million dollar movie.

To my eye these flat 3D movie planes layered over each other actually look flatter than and normal 2D movie. When you're watching a normal movie you quickly forget that you're watching something flat and 2D. 3D is represented by depth of field, lighting changes and camera movements and by the viewers own, intrinsic, visual intelligence. In someways that is taken away from you in a 3D movie. The flat areas layered over each other look flatter because you're fighting to interpret the flat areas within a layered 3D environment. It's also hard to become unaware of this visual trick and once you see flaws you constantly get pulled out of the illusion as a result.

'So, why not just go and see it in 2D you Luddite?' I hear you ask. Well, because the emphasis is on 3D the 2D print suffers. What do I mean specifically? You seem to see some artifacts in 2D as a result of the 3D process. In Harry Potter and the Deathly Hallows Part 2 there was a specific scene that made this obvious to me. After Harry, Hermione and Ron have dropped into the lake off the dragon's back they are walking around a hilly area, getting warm and talking about what they are going to do next. When I saw the scene first in 2D something didn't feel right. It almost felt like they had been filmed separately from the background and green-screened in - like they were stuck on to the background rather than really being in it. If it was a still photo I was examining I would have said it was clumsy use of in PhotoShop - the kind of thing you see when someone hasn't used shallow depth of field when they took the shot but they have faked it after the fact by masking the subject and then blurring the background. You can always tell - there's something about the edge of the subject, a slight halo or something, and the background is too uniformly blurred. It's not how natural bokeh looks. Whatever the equivalent is in filmic terms, that's what I'm seeing and that's what I object to.

This all said, I loved the final movie and am very sad that the decade long journey is now over. I still give it two thumbs up in 3D or 2D but a lesser movie I might not feel so magnanimous towards. 3D is not an evolution from traditional 2D movies but an alternative to them. For the moment it is still a matter of personal preference but I'm still far too aware of the technology and process to get sucked into a 3D movie as easily as I can slip into the world of a traditional 'flat' movie.

You pays your money and makes your choice....

Editing Exercise: Vincent Laforet Edit Contest

If, like me, you're relatively new to the world of film editing Vincent Laforet (yes, the person behind Reverie) and creativeLIVE have a great exercise and competition for you. It's the “Complete the Edit - Win Vincent Laforet's Redrock Kit” CreativeLIVE challenge. You download the takes you want created at a recent workshop Mr Laforet held - unfortunately, if like me, you're not a Vimeo pro user you have a limited number of downloads available per day so assembling the footage you want can be the longest part of the process. You then edit the clips into a finished piece and submit them to the vimeo group. You could win some great Redrock Kit but real benefit of entering is the exercise of piecing together an edit from someone else's footage (warts and all).

This is my first time editing anyone else’s footage but my own and was a lot of fun and very educational. It took a lot more time than I anticipated to even get a first assembly and then I spent even more time tweaking everything to get to a final cut (I've already re-uploaded my entry 4 times):


I edited it using Sony Creative Software Movie Studio HD Platinum 11($76 from Amazon) on a sub-$500 laptop. The score (little more than atmospheric sounds and a couple of string swells) was also created by me on Sony Acid Music Studio 8.0 ($36 from Amazon) and footage audio edited, augmented and sweetened using Audacity (free). Color adjustments and titles also done naitively within the consumer version on Sony Vegas. I’m hoping that the results from my budget/amateur system measures up to those with more professional suites - in an ideal world I hope that you don’t even notice I’m using consumer, cut-down versions of NLE and DAW software.

I purposely edited it in a linear way (no Memento tricks) in keeping with what I felt was the old-school, 50’s feel of the footage and script. In my imagination the man’s back story has to be that he is a gum-shoe detective getting his comeuppance. In keeping with this classic 50’s feel I edited the dialogue slightly to remove the overtly sexual lines and a couple of other phrases I personally felt weren’t in keeping with the scene. I’m not usually that prudish but I wanted the details of the affair more implied than stated.

I found myself spending as much time editing the audio as the visuals. From a visual stand point the footage is very clean but the audio took some work to normalize, and remove clothing, static and breath noises (probably from wireless lavs?) and the off camera dialog. Any unwanted noises I removed I then had to replace with room sound or Foley sounds from other footage which I did in Audacity. After I added the soundtrack you couldn't even hear the room noise anymore so this may have been wasted effort but it was a good exercise even so.

The only visual challenges I couldn't address included the hand grabbing the letter opener from the desk being very white compared to the lead actor but I wanted the footage to move from the desk to the door. Also, the clock at the beginning is an hour behind the clock at the end but again, I needed the footage so left it in and, hopefully, nobody will notice but me. Finally the reflections in the picture frame glass I just decided to live with.

This said, I am far from an expert so any constructive criticism is gratefully received. Seeing the other creative entries I doubt I will place but I feel like I already got a lot out of the exercise just by taking part. If you wanted to give it a try yourself the competition runs until 12th August, 2011 so you have lots of time to obsesses over every frame between now and then. Good luck.

Creative Commons Soundtracks: Even More Fun With 8Packs

I'm still sticking to my resolution to take the free 8Pack released by Sony each week, to turn it into something else and then release it under the creative commons licence. As long as it's fun I'll keep doing it.

I am working on a simple video tutorial on using Sony Acid to score video. Hopefully that will be available before I post my next bunch of 8Pack pieces.

I hadn't realized that it has been over a month since I last posted anything here so here's the last 6 weeks:

Voiceless Glottal Plosive by the other Martin Taylor

Rerolled Credits by the other Martin Taylor

Carried Away Again by the other Martin Taylor

Extensions Extended by the other Martin Taylor

Solar ReCycled by the other Martin Taylor

Simulcast Expressions by the other Martin Taylor

Windows 7 Sound Issue: Unwanted Reverb Stuck On

I had a strange problem with my little, Dell laptop (Inspiron 1318) the other day. I thought I'd put the issue and solution out there just in case anyone else encounters it. The issue was as if a reverb effect was stuck on.

I was about to work on a podcast that I edit in Audacity when I noticed that the source audio was dripping in reverb. If you have edited any audio yourself you'll know that you want the audio as dry as possible so that you can choose when and how to apply effects. At first I though the reverb had been added to source audio as it was recorded but then I noticed there was reverb applied to any audio I listened to - YouTube videos, MP3s in my music library, they all came through drenched in horrible reverb. Something was wrong with my machine.

The funny thing is that I wouldn't know how to add blanket reverb to all audio on my machine. I checked my audio driver from Dell and reinstalled it even through it was already up to date.That didn't make any difference.

To get rid of it I had to uninstall the audio driver and then reinstall it from scratch. To do this:

  • "Start" button and select "Computer"
  • Select "System properties" from the top menu bar of the "Computer" window
  • Select "Device Manager" from the left-hand "Control Panel Home"
  • Select "Sound, video, and game controllers" to show your audio device(s)
  • Select the audio device you are currently using then right-click and select "uninstall."
  • Reboot to complete the uninstall.
  • On startup, Windows will detect the sound card and re-install drivers.
  • It may require another reboot but your sound should now be clean
I hope this information is clear and useful to anyone else who encounters this weird problem.

Creative Commons Soundtracks: Fun With Acid

I'm still really enjoying messing around in Sony Acid Music Studio. I claim to be a photographer and a videographer so there is often a stress to perform in those roles. I make no such claims to be a musician so nothing is expected of me and I can just play. Acid is like finger painting with sound and it takes no time to be able to create something out of nothing and isn't that the appeal for many creative activities?

I've continued to take the free 8Pack downloads each week and make something of my own out of them. Hopefully I'm not remaking the same piece over and over but I have noticed  a signature in the way I work: I trawl through the loops until I find one that really appeals to me , usually a drone, or percussive sound (but not full drum loop) that I can use as the backbone of the piece and build everything else around. Perhaps I should challenge myself to write something that does not have one loop that runs through almost the whole thing? As that one constant is what holds everything else together in my head that may be tricky for me but I'll give it a go.

Tales To Be Retold by the other Martin Taylor

Duality Reexamined by the other Martin Taylor

Even More Dynamic Low Z by the other Martin Taylor


I've also entered a couple of challenges; the first Soundcloud Soundbites challenge:

Sound Bites: Soundtrack for Train, Utility Poles & a Sunset by the other Martin Taylor


and Frequent Traveller's East Croydon Remix Competition:

East Croydon Taylor-made Remix by the other Martin Taylor

Again, there's something very low-stress about entering a competition and putting your work out there in a field in which you're an absolute beginner. By contrast, I have started assembling my entry for the next Blurb Photography Now book contest. Last time I poured days of time and effort into my entry just to be ignored and it destroyed me. It's taken me two years to recover the strength to consider putting myself through that again. Ignoring my music is fine because that is just messing around - I'm serious about my photography through; if I put my photography work out there and it get's dissed or ignored it's a whole other ball of wax.